a bone will creak
before it breaks
much like a dried branch
stepped on in summer
that makes the birds
go silent
but muscle
say
–a heart, for example–
will make no sound before
shattering like glass
or perhaps it is beyond
human hearing
——
floating and leaving no trace
a bone will creak
before it breaks
much like a dried branch
stepped on in summer
that makes the birds
go silent
but muscle
say
–a heart, for example–
will make no sound before
shattering like glass
or perhaps it is beyond
human hearing
——
i am a stained glass saint
and you are a high-pitched
tuning fork pressed against
my flattened multiple colors
you ring
i respond
with crack and shatter
fake gems from a pirate
souvenir shop scattered on
the floor
the red ones are my hearts
the blue ones whatever resolve
i kept in check
more hot lead
and patience
will be required
move along, there’s nothing here to see
broken bits like discarded crystal spheres
you should know i don’t care if you agree
my workings loosen, all at once set free
while you tell me, beg me, to persevere
move along, there’s nothing here to see
i’m no clock to wind with a secret key
much more like a badly hung chandelier
you should know i don’t care if you agree
the chain creaks and strains–then just debris
against the curling, faded veneer
move along, there’s nothing here to see
time reduces to rust these moons in apogee
an irritating hum of the inner ear
you should know i don’t care if you agree
i’ve had much practice as an absentee
all too soon this sorry shade’ll disappear
move along, there’s nothing here to see
you should know i don’t care if you agree
——
for a single moment
perhaps that pause
between heartbeats
the sun shone through
the wings of a butterfly
and i understood
the reason for cathedrals
silent tracks this morning
but so much glass
glittering on the ground
were the wind to pick up
the air would cut me
to pieces
i follow the rails in shoes
with soles so thin
i feel every facet of every stone
trying to pierce my feet
though empty, i have seen the trains
not the romantic locomotives
with porters and bewatched conductors
crowded dining cars
mysterious liaisons
but industrial bulk behemoths
the color of rust
the odor of old burned oil
delivering invisibles
in closed cars
i walk the middle of the track
wood
gravel
wood
gravel
iron on either side
a shirtless jogger approaches
loping toward me
glistening in the sun
i imagine myself
in a coat hanging past the knee
a dusty, wide-brimmed hat
arm relaxed but ready
to draw at my side
another poet’s words
write themselves nearby
first in soot
then in blood:
inspired by beauty
betrayed by lust
abandon[ed] by greed
enslaved by guilt
the jogger turns
the wind rises
and i am cut to pieces
everything i think about is glass
thin
brittle
stretched like a sheet of paper
over my face
close enough to catch my breath
but still there
a window i can’t open
and outside
sunlight air birds traffic laughter

glass hearts
beautiful as they catch
scatter the light
how quickly they cut
when shattered
——
image courtesy of morgue file
http://mrg.bz/bb8e5d
light catches it
like morning sun
on a single spiderweb strand
blown glass stretched so thin
it sings every time we breathe
connecting us
more frail than
sun-bleached bird bones
sudden movements
scare you like a nervous cat
so i mirror you
match your speed
and keep this thin tendril
from bending
from shattering
today the trend is all
self-healing polymers
but these inevitable shards–
will they go back together
get stronger
more flexible with mending
or will we just end up
with bloodied fingers
——
the heart is a room
full of windows
walls made of brass
you sigh
and your sigh is
a tuning fork
pitched to break glass
to bend metal
do the shattered panes
let in light
or only blood
the angel unfurls its wings
wings of a thousand thousand feathers
each a razor black with blood
they beat
space is cut
voices of shattered glass
fill the air
it turns my way and i am pierced
lacerated by its message
its wings seek my heart
it flays the living flesh
from my bones
leaving no human trace
not even
my name