Friday haiku
the driver swerves
the other driver swerves too
accident averted
floating and leaving no trace
Friday haiku
the driver swerves
the other driver swerves too
accident averted
the lion stands on the plains
in the morning sun
his mane matted
and falling out
his bones ache
he may be losing a tooth
he doesn’t have any roars left
to rise like thunder from his chest
the other males have driven
him to the edges
and the females ignore him now
there’s little game for him when
the hunt is over
forcing him to scavenge the stripped bones
and risk the hyenas
their snarls and their laughter
his big-cat memory
reaches back to a morning
when he rose proud, as golden as the dawn
when his voice made flocks of birds wheel
black and graceful in the blue-white sky
as if by his command
this pride won’t bear him any more cubs
he pants
staring into the distance
watches the grasses wave
watches the solid shadows that are birds
peck and hop and scratch for food
maybe he can work up
one last roar
wondering where
everything
will fit
after it’s all
sorted out
so quiet
that you can hear
people twisting
back and forth
in their office chairs
and the swish swish
of denim on legs
as they slide across
each other
let things get out of
hand
why should the
fingers have all the fun
There’s nothing here to see, folks.
You should all just move along.
Is that a siren in the distance?
Excuse me, miss, yes, you in the sarong.
There’s nothing in this duffle bag,
Nothing interesting to see.
Just several weeks of dirty laundry.
Now if you’d only just excuse me.
Can’t let them take my friend away.
I really must insist.
I say I’m not a violent man,
But I’m likely to resist.
Oh, wouldn’t you agree, my dear,
This alley was grave mistake?
Cornered like a common thief.
I hope that you don’t break.
The clubs are out and so are the guns.
This might sting a little bit.
I’ll set you by this garbage can.
I’d cry if you were hit.
Can’t let them take my friend away.
Cause we love to talk for hours.
If they hit me like that one more time
I’ll tell you where to send the flowers.
They’re saying horrible things to me,
Things that just aren’t true.
Blood and knives and tarps and tubs,
And someone headless, just like you.
I found you on the street, I tell,
And you became my friend.
You told me all your secrets.
We’ll be together to the end.
A talking head is not so strange
A thing beyond imagination.
If only they let me show
You sing down at the station.
Can’t let them take my friend away.
I wish my hands weren’t tied.
I’d whisper softly in your ear,
Since you never really died.
is this better?
sharp focus
clear lines between the letters
the card a sharp, painful white
so clear
you can see it all
or worse?
the room fuzzes over
instant caterpillarization
of letter forms
and lamp arms
and everything at arm’s reach
recedes
like a gel lens on a doris day
movie
how about now?
and the lights go off
and there’s nothing to see
except the afterimages
popping like fireworks
and your imagination
popping like fireworks
Friday Haiku
light on the water
reflections on the fish’s scales
double suns
the gate squeaks, hinges screaming
as i drag back the garbage cans
the sun hangs low, filling the sky
with orange and pink and heat and
dry santa ana winds. the winds
are quiet though, leeching out
the moisture from our skins, an
invisible vampire, making us itch
to pick up knives and test the edges
against our fingers
there once was a poet who thought
every word that i write has been wrought
from my flesh and my blood
but this last one’s a dud
so maybe i’ll focus on plot