Today, in honor of the end of summer, I’m choosing a poet who is–gasp–still among us in more than just words. Here he is, talking about the end of summer. And of all things, really.
Edgar Oliver, reading his poem, “The End of Summer”
floating and leaving no trace
Today, in honor of the end of summer, I’m choosing a poet who is–gasp–still among us in more than just words. Here he is, talking about the end of summer. And of all things, really.
Edgar Oliver, reading his poem, “The End of Summer”
the last official day
of commercial summer
so many sales
and a day that feels like
a repeat of sunday
no one considers
that the second day of summer
the day after the solstice
was shorter than the day before
with less daylight
minute by minute
the light shrinks
and now, the evening comes early
and soon
the evening will come earlier
i long for autumn
and for a change in the leaves
and a change in the air
as long as you don’t change
as long as summer shines
resplendent in your smile
every tree on the planet
can change color
and drift like snowflakes
and carpet the yards
sidewalks
and carports
like one of those science books
with transparent plates
of the human body
where the first layer has the skin
–always the best
because you can see all the dirty parts
even though it’s usually ugh the guy–
then you peel back a layer
and it’s all muscle
which is still kind of cool
after that
arteries and veins
and viscera
and you keep going
past the nerve tissue
until it’s just bones left
that’s how i imagine you
after peeling off your layers
year after year
getting through the outside
which is pretty damn exciting still
and through your guts
all the way to your bones
the first football game
aside from the ones
i attended to photograph
for the yearbook
in high school
and the one game i
took my son to
while he was still
in high school
was at the rose bowl
go bruins
the first game of the year
against virginia
and the thing i remember
aside from the heat
and the traffic
and the parking on a deserted golf course
were hundreds of dragonflies
plump and red and brown and green
rising up out of the grass
floating over water traps
hovering around the walkers
who had to trek over a mile
to the gates
one of them flew sideways
like an alien spaceship
with an antigravity engine
and no restraints on inertia
and i’ve already forgotten
the score of that game
but those dragonflies
at my feet the dog
sleeps–breath rising and falling
then, of course, he farts
a conversation with my
phone
might start with
where am i?
and pleasant reassuring voice
comes back
with a slightly wrong address
and a map
where i almost am
no, i mean, where am i?
if you click on the map
you can zoom in
get latitude and longitude
still slightly off by maybe
20 feet
still not the answer i’m
looking for
wait wait wait
who am i?
i get all of the contact info
i entered into the phone
in one way or another
but no snarky remark about
it being an existential question
that she is ill-equipped to deal with
only that i have a name
and opted to have her call me
by another name
writhing across the sky
pink and orange clouds
undulate like snakes
chasing the sun through
blue fields
always sinking
these serpents won’t catch her
but they will chase her
over the horizon
not so picky about the details
or where the clay flies
the artist
pulls with the fine metal loop
tears out a huge
iris-shaped blob of soft clay
from the eye creating
the illusion of depth
and drives the tapered tip
of a paintbrush in
to make the pupil
it’s like those busts
at the haunted mansion
that seem to follow you
concave depressions
made to look like stone
but with the afterimage
of life
as they track you
these sculpted eyes too
follow you as you walk around it
even though they gaze into a future
of fire in the kiln
and uncertain finishes
we hollow them out
the insides of bones
the insides
where the marrow sits
we hollow them out
we dig with our fingers
through the hollow channels
of our bones
whatever it is
that sits in our bones
whatever it is
the fills the bones up
before we hollow them out
we scoop it out
and make them hollow
using drills made for brownies
and pixies
we honeycomb our hollow bones
and make them lighter
getting rid of–
making ourselves lighter
making ourselves light
and we fly
and we
they hang
a pair
pendulous and red
inviting the hand
to reach
and and tug them
but the wall is too high
and the pomegranates go
untaken