everything stretches
the cat
the dog
my shadow
everything stretches
except for
these fingers
these words
floating and leaving no trace
everything stretches
the cat
the dog
my shadow
everything stretches
except for
these fingers
these words
a day of endless gray clouds
that never quite delivered
on the promise of rain
just enough heat to remind you
that summer is still
exploding out of the earth
and a night spattered in clay
where the head was thirstier
than the sculpter
or you know
just strike the match
and watch it all burn
all those piles of paper
all those piles of words
literally
mountains of thoughts
drafts of repeated scenes
my god how many lines labored over
to get a phrase just
so
and then the tumor of a manuscript
it sits
and swells
and pulses like a pseudo-heart
and gathers the kind of
dust that makes the tapping
on of keys a bitterness
like the dregs of coffee
with enough practice
he said
not exactly smiling
but not exactly frowning either
with enough practice
you can plant knives
directly in the marrow
of the bones
they’re seeds at first
like most things
tiny and silent but
hungry and determined
their roots crack the bones
they have been planted in
radius, ulna, humerus, tibia,
and especially the femur
and the blades,
the blossoms you see, all grow up
seeking the heart
as if they possess a secret knowledge
all things that
grow from seeds know
where the sun is
the air
squeezes you like a hug
in these eighty-plus degrees
and the rain
cold in the heat
isn’t cold enough
to keep you from sweating
the dog
doesn’t seem
to mind walking
and you trudge along
behind to make him happy
because he’s old
the clock ticks
erratically
and you wonder
–why won’t the damn thing
keep time
the way it’s supposed to–
one second after another
one minute after the next
not
long stretches where the minute hand
doesn’t move
or jerks suddenly so far ahead
that the hour hand is dragged
along in its wake
or actually
moves backward
an impossible dance step
but never far or
convincingly enough
to change a single letter
in this poem
Friday Haiku
the smallest wren
perching on the fence’s edge
the loudest song
shouldn’t we take the train, you ask
on trains
the country slides by
like frames of film
like an illusion of life
or a series of photographs
or paintings
granular in change
so subtle from one to one
so different from first to last
like the station where you boarded
and
the station where you stepped down
in another place
and another time
sure, i say
and i go to buy the tickets
the hands tremble
when they reach for
a glass
a pair of glasses
a pear
a peach
another set of hands
the shaking comes
from inside
an earthquake in
the blood
a tectonic shift
in the marrow of
the finger bones
still nervous
after all this time
still timid
to touch
return
again and
breathe
the air you breathed in
yesterday
the air the neanderthal
breathed in thousands of years ago
breathe out the air
breathed out by the first dinosaurs